Just released
116 plugins
Fresh tools for your next session, newest first: 12 new plugins that each do one job well, and our latest creative and low-end effects.
Plug in a dry guitar and hear a miked amp straight away: four amps, each with its own cabinet, from sparkly clean to tight metal chug and a singing lead, with the boost and a hum-and-hiss threshold built in. The output stays at your dry guitar's loudness, at zero latency.
Insert it and the track ducks on every beat and swells back, locked to your tempo, with no kick to route. The same LFO closes a low-pass filter on the beat and sways the sound across the speakers, and the level is made up from the curve, so DEPTH changes the movement, not the loudness.
Put it on your mic in OBS or your streaming app and talk: the fan and the room drop away between sentences, a quiet mic comes up to a steady streaming level, harsh esses soften and a shout never clips. Four knobs, three mic setups, zero latency.
Play a voice, a synth or a whole soundtrack back off an old VHS tape in one insert: the narrow, wobbling, chorused sound, a cheap 80s hall, static, and the tracking slips everyone remembers. SP, LP or EP, tape HEAT, a synced EJECT and a true MIX. Zero latency, every preset level-matched.
The sound-system dub siren in one insert: a wail, a hi-lo alarm or a whoop, fired from the FIRE key, host automation or MIDI notes, into a wobbling tape echo and a spring locked to your song's tempo. Your track passes untouched, the siren sits in the mix at any level, and it adds zero latency.
Echoes in time with your song, each one climbing an octave above the last and melting into a glowing hall: the ambient guitar and ethereal vocal sound, the moment you load it. A fifth or an octave down in one click, SWELL for pads, WASH from dry steps to a cloud. Zero latency, every repeat on the beat.
The classic octave shimmer the moment you load it: a long hall whose tail climbs an octave on every pass into a bright halo above your guitar, pad or vocal. A fifth or an octave down in one click, BLOOM to swell every phrase in, FREEZE to hold it forever. Zero latency, every preset level-matched.
An audio glitch effect for your DAW: turn one knob and vocals, drums or a whole mix stutter, flip backwards, chop, brake and dive in pitch, landing at random but always on the grid, and the same in every render. Zero latency, every preset level-matched.
Sing one line and hear a choir sing it back: up to 32 voices made from your own voice, each a little off in pitch and time, octave sections below and above, one shared hall, and your lead kept on top. A choir, not a chorus, and every preset level-matched.
Turn any voice into a real two-way radio transmission in one insert: a click and a burst of static as each line starts, a squashed, narrow voice, a squelch tail as it ends and dead air between, keyed by the voice itself. A handheld, a tactical set or a toy, a roger beep or the mission-control tones. Zero latency, every preset level-matched.
Play a beat, a vocal or a whole mix back from a real-sounding cassette: AGE from fresh tape to worn out, WOBBLE from steady to warped, DRIVE for a pushed bounce, and a home deck, a boombox or a pocket recorder to play it on. Hold STOP for a tape stop on the beat. Zero latency, every preset level-matched.
The whole hyperpop vocal preset in one insert: snap the voice hard to the notes, shift it an octave up, squeak the formants, crush it, polish it and double it. One plugin instead of a six-plugin chain, and the same sound at any recording level.
Turn one vocal take into a thick, wide double in one insert: two detuned doubles with zero latency, a sixties tape double, a four-voice stack or a slapback. The lows stay in the centre, so it holds up in mono. No second take, no copying and nudging tracks.
The reverse reverb effect in one insert: every note and every word is breathed in by its own reversed reverb, the swell stopping exactly on it. No reversing, bouncing or dragging; SWELL in note values or milliseconds, SPACE, TONE, and your DAW lines it all up.
The 80s gated reverb snare in one insert: a slammed, bright room that explodes on every hit and is cut off dead, with no threshold to set. GATE in milliseconds or locked to your tempo, SLAM for the squash, ROOM, PLATE or NONLIN. Zero latency, every preset level-matched.
Turn a vocal, a synth or a loop into an old games machine in one insert: crunched to a few bits and a low sample rate, with a square-wave chip voice that plays your melody, a crunchy console echo and three eras from handheld to 16-bit. Every preset level-matched, and a LIVE mode for zero-latency tracking.
Put an 808, a guitar, a drum loop or a vocal through a speaker that was played too loud: fuzzy and broken up, thin in the bass but farting on the low hits, with a buzz on the notes and a rattle on the loud hits. Three speakers, AUTO MAKEUP that keeps it as loud as your dry sound, zero latency.
Dusty, wobbly echoes that get duller, hissier and crunchier on every repeat, as if each one were bounced to an old cassette or a cheap sampler. Worn cassette, 12-bit sampler and thin AM flavours, WEAR, CRUSH and WOBBLE on every pass, zero latency and every preset level-matched.
Turn any voice into a ghost: a backwards swell of its own reverb rises into every phrase before it is heard, the voice thins to a whisper, drifts down and wavers, then trails into a long hall. Four spirits, a LIVE mode for singing through it, every preset level-matched.
Every echo goes back through the dirt, so each repeat comes back grittier than the last, while your dry part stays clean. Four kinds of distortion, a loop that sings into a drone past 100 %, echoes that duck under the vocal, zero latency and every preset level-matched.
Turn any voice into a creature that is clearly not human and still understood, in one insert: shift it up into a small visitor or down into a giant, add the metallic ring, a fast warble and backwards alien babble, and put it in a short bright room. Four alien types, every preset level-matched.
Turn clean chords, a synth or a vocal into a shoegaze wall in one insert: a dark fuzz, a reverse swell after every chord, a slow tremolo-arm sway and a long hall it all sinks into. Zero latency by default, every preset level-matched.
The dreamy, floating vocal in one insert: a soft halo of detuned copies, an echo on the beat blooming into a long hall, and an octave shimmer in the tail, all stepping back under the words so every line stays clear. Zero latency, every preset level-matched.
Make the nightcore, sped-up version of any song inside your DAW: drop the song on the plugin, or let it learn the track in one pass, and it plays back faster and higher together, like a record played fast. Keep the chipmunk voice or bring the singer's natural voice back.
Turn a vocal, a synth or a guitar into an enormous, drifting space in one insert: tails from 2 seconds to a minute or forever, an octave-up shimmer, FREEZE for endless pads and a DUCK that keeps the vocal in front. Zero latency.
Put a vocal, a drum loop or a whole track inside a real bathroom in one insert: three measured rooms, a DOOR knob for the music at the party heard from inside the bathroom, and TILE from soft towels to ringing porcelain. Zero latency, every preset level-matched.
Make any sound break up like a failing connection: signal loss on a phone, radio or TV, a skipping CD, a tape dropout. The audio cuts out at uneven moments with the real noise of a link going down, repeatable in every bounce, on the beat or on a key you hold.
Put any track on an old record in one insert: crackle that rides in the groove and follows the music, a worn stylus, the slow wobble of a turning platter, the sound of six decades from 1930 to modern, and a one-press spin-down that lands in time.
Make the slowed + reverb version of any song inside your DAW: Moonlight really plays it slower and lower, like a record played slow, then puts it in a long, dreamy hall. No online converter, no bouncing back and forth.
Put the classic wobble bass on any bass, synth or loop in one insert: a resonant filter that opens and closes on your song's grid, grit that growls as it opens, and the sub held steady underneath. No synth patching, no LFO routing.
Turn any vocal into a bullhorn in one insert: pick the horn from a wide PA to a narrow wartime loudspeaker, dial the honk, push it into crunch, and bounce it off the walls until it rings and squeals. Zero latency.
Turn any vocal into a demon in one insert: drop it below human range, give it a bigger throat, add a rumble an octave under, a growl that wobbles and talks in time with your song, and a dark cavern. No chain to build.
Turn any vocal into a metallic robot in one insert: stack up to eight voices, tune the robot to your song's key or play it from MIDI, then filter it and put it in a room, a plate or space. No carrier synth, no routing.
Talk, rap or narrate in your own videos without sounding like yourself. Hooded Anonymous Voice moves your pitch and your voice's size in opposite directions, so it comes out as a different voice with every word clear, and none of your real voice is blended back in.
A VCA compressor: threshold in volts, ratio to infinity, and a fast, clean grip for kicks, bass and vocals.
An air EQ: a shelf from 2.5 to 40 kHz and five broad bands that open a vocal or a master without harshness.
VS-L2A, VS-L3A, VS-F76, VS-T76, VS-V160, VS-N1, VS-GB, VS-M66, VS-E4, VS-Q4, VS-T12 and VS-E97: compressors, limiters, EQs, saturation and an enhancer, each built to do one job well with a few controls. Each one is also in its category: dynamics and compression, EQ and filtering, saturation and distortion or mastering.
Before the 12 came F-That Fourier for subs, pads and drones made from any sample, Rumbler for 808s played from MIDI, Ducker for kick and bass that stop colliding, and Crazy S for filter sweeps and vowel moves you draw instead of automating.
Browse every plugin by what you need it for: creative effects, dynamics and compression, EQ and filtering, reverb, saturation and distortion, pitch and bass and low end, or see all our plugins.
Every copy you buy runs on up to five of your own computers.
Most of our paid plugins have a free demo: the whole plugin, with no time limit, that goes silent for a moment every few seconds. Look for the free demo on the plugin's page.
Our plugins run on Windows and macOS, in DAWs that load VST3 or AU plug-ins, and many also come as AAX for Pro Tools. Each plugin's page lists its exact formats and system requirements.
Up to five of your own computers for each copy of a plugin you buy.
Your plugins' download links arrive by email within about five minutes, and they are always in your account under Downloads.
Yes: every plugin comes with a 90-day money-back guarantee. Within 90 days of buying, email contact@lenuque.com for a full refund.
Yes. Every update of a plugin you own is free: download the newest version from your account under Downloads.
