{"title":"EQ \u0026 Filtering","description":"\u003cp\u003eEqualizers and filter plugins for sculpting tone, cutting mud, and shaping frequency balance across your tracks.\u003c\/p\u003e","products":[{"product_id":"mud-cleaner-boom-reducer-plugin","title":"Mud Cleaner Boom Reducer Plugin","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNo more muddiness, no more boominess! Get instant clarity with Mud Cleaner Boom Reducer plugin.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eSoftware Requirements: Windows (64-bit only): VST3, AAX. MacOS (64-bit only): AU, VST3, AAX.\u003c\/span\u003e\u003c\/p\u003e","brand":"VOX SAMPLES","offers":[{"title":"Full Version","offer_id":50380741247259,"sku":"","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0848\/3530\/3707\/files\/MudCleanerBoomReducerProductImage_1.png?v=1750144240"},{"product_id":"kraken-underwater-effects-plugin-1","title":"Kraken Underwater Effects Plugin","description":"\u003cdiv class=\"kraken-description\"\u003e\n\u003c!-- INTRO --\u003e\n\u003cp style=\"font-size: 1.05em; line-height: 1.6;\"\u003e\u003cstrong\u003eUnlock deep, smooth and lush underwater effects in one package with the Kraken Underwater Effects plugin.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"font-size: 1.05em; line-height: 1.6;\"\u003eDrop any vocal, instrument, synth or full mix beneath the surface — from a gently submerged, dreamy haze to a fully drowned, murky abyss. One simple \u003cstrong\u003e“Depth”\u003c\/strong\u003e dial delivers instant analog‑style low‑pass muffling, while \u003cstrong\u003e“Waves”\u003c\/strong\u003e and \u003cstrong\u003e“Space”\u003c\/strong\u003e add living movement, motion and realism.\u003c\/p\u003e\n\u003c!-- HIGHLIGHTS --\u003e\n\u003ch2\u003eWhy you’ll love Kraken\u003c\/h2\u003e\n\u003cul style=\"line-height: 1.7;\"\u003e\n\u003cli\u003e🌊 \u003cstrong\u003eOne‑knob depth\u003c\/strong\u003e — sink your sound from crystal‑clear down to deep underwater in a single move.\u003c\/li\u003e\n\u003cli\u003e🐙 \u003cstrong\u003eLiving movement\u003c\/strong\u003e — pulsing “Waves” and a swaying filter make it breathe like real water and passing currents.\u003c\/li\u003e\n\u003cli\u003e🏛️ \u003cstrong\u003eLush 70s‑style hall reverb\u003c\/strong\u003e with tails up to \u003cstrong\u003e16 seconds\u003c\/strong\u003e.\u003c\/li\u003e\n\u003cli\u003e🎚️ \u003cstrong\u003eBoutique analog character\u003c\/strong\u003e — vintage console \u0026amp; transformer warmth baked into the output.\u003c\/li\u003e\n\u003cli\u003e🎛️ \u003cstrong\u003e250 ready‑to‑go presets\u003c\/strong\u003e for instant inspiration.\u003c\/li\u003e\n\u003cli\u003e✍️ \u003cstrong\u003eType‑in values \u0026amp; full MIDI Learn\u003c\/strong\u003e for precise, hands‑on control.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!-- WHAT IT DOES --\u003e\n\u003ch2\u003eTurn anything into “under the ocean”\u003c\/h2\u003e\n\u003cp style=\"line-height: 1.6;\"\u003eKraken runs three sections in parallel — a warm \u003cstrong\u003eDepth\u003c\/strong\u003e muffle, a moving \u003cstrong\u003eWaves\u003c\/strong\u003e modulator and a deep \u003cstrong\u003eSpace\u003c\/strong\u003e reverb — then finishes everything with analog console glue. Perfect for dreamy vocal FX, lo‑fi beats, ambient pads, transitions, risers, whispered breaks, cinematic underwater scenes and creative sound design.\u003c\/p\u003e\n\u003c!-- DEPTH --\u003e\n\u003ch3\u003e💧 Depth — the master muffle\u003c\/h3\u003e\n\u003cp style=\"line-height: 1.6;\"\u003eThe big centre dial is the heart of Kraken: an analog‑voiced low‑pass filter that sweeps from wide‑open brightness all the way down to a thick, submerged rumble.\u003c\/p\u003e\n\u003cul style=\"line-height: 1.7;\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eDepth (0–100%)\u003c\/strong\u003e — how far underwater you go, from ~14 kHz open to ~20 Hz fully drowned.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eResonance\u003c\/strong\u003e — adds emphasis and bite at the filter’s edge.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSlope\u003c\/strong\u003e — filter steepness: 12, 24 or 48 dB\/oct.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLFO Shape\u003c\/strong\u003e — Sine, Triangle, Saw, Square or Random movement.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLFO Rate\u003c\/strong\u003e — speed of the underwater sway.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLFO Depth\u003c\/strong\u003e — how far the filter drifts brighter⇄darker, for that living “water” motion.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!-- WAVES --\u003e\n\u003ch3\u003e🌊 Waves — pulsing motion\u003c\/h3\u003e\n\u003cp style=\"line-height: 1.6;\"\u003eA parallel resonant band that \u003cem\u003epulses\u003c\/em\u003e in and out like swells and boats passing overhead — rhythmic, tonal movement layered under your sound.\u003c\/p\u003e\n\u003cul style=\"line-height: 1.7;\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eMode\u003c\/strong\u003e — voices the pulse: Deep (50 Hz), Low (150 Hz), Medium (350 Hz) or Light (600 Hz).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRate\u003c\/strong\u003e — how fast the swells come and go.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDepth\u003c\/strong\u003e — pulse intensity, from silent swells up to full level.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFeedback\u003c\/strong\u003e — resonant regeneration that makes the band ring and sing.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSpread\u003c\/strong\u003e — stereo width of the movement, from centred to wide.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!-- SPACE --\u003e\n\u003ch3\u003e🏛️ Space — deep, lush reverb\u003c\/h3\u003e\n\u003cp style=\"line-height: 1.6;\"\u003eA rich, bit‑accurate recreation of a legendary 1970s hall reverb — the “deep” in deep underwater.\u003c\/p\u003e\n\u003cul style=\"line-height: 1.7;\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eReverb Mode\u003c\/strong\u003e — tail length in six steps: Short 2s · Standard 4s · Medium 6s · Long 8s · Deep 12s · Extra Long 16s.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePre‑Delay\u003c\/strong\u003e — space before the reverb blooms (0–250 ms).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDamp\u003c\/strong\u003e — high‑frequency absorption for a darker or airier tail.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTone\u003c\/strong\u003e — overall brightness of the reverb, from −100% (dark \u0026amp; muffled) to +100% (open).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWet\u003c\/strong\u003e — how much reverb sits under the sound.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!-- GLOBAL --\u003e\n\u003ch3\u003e🎚️ Global controls\u003c\/h3\u003e\n\u003cul style=\"line-height: 1.7;\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput \/ Output\u003c\/strong\u003e — trim levels in and out (±24 dB).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMix\u003c\/strong\u003e — blend dry and processed, from subtle to fully underwater.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOn\/Off\u003c\/strong\u003e — click‑free bypass that reveals the live reverb tail instead of cutting out.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!-- PRESETS --\u003e\n\u003ch2\u003e🎛️ 250 factory presets\u003c\/h2\u003e\n\u003cp style=\"line-height: 1.6;\"\u003eKick‑start any session with \u003cstrong\u003e250 hand‑built presets\u003c\/strong\u003e — from \u003cem\u003eShallow Current\u003c\/em\u003e and \u003cem\u003eSurface Shimmer\u003c\/em\u003e to \u003cem\u003eDeep Trench\u003c\/em\u003e, \u003cem\u003eSunken Cathedral\u003c\/em\u003e and \u003cem\u003eAbyssal Drift\u003c\/em\u003e. Browse with the on‑screen preset bar, then tweak to taste.\u003c\/p\u003e\n\u003c!-- WORKFLOW --\u003e\n\u003ch2\u003eBuilt for fast, precise workflow\u003c\/h2\u003e\n\u003cul style=\"line-height: 1.7;\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eType‑in value fields\u003c\/strong\u003e — double‑click any control to enter an exact value.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFull MIDI Learn\u003c\/strong\u003e — map any knob or slider to your hardware controller.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSmooth, animated interface\u003c\/strong\u003e with a responsive, real‑time display.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog‑style, click‑free bypass\u003c\/strong\u003e so automation and A\/B checks stay seamless.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!-- SPECS --\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul style=\"line-height: 1.7;\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eFormats:\u003c\/strong\u003e VST3, AU, AAX \u0026amp; Standalone\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSystems:\u003c\/strong\u003e Windows \u0026amp; macOS (64‑bit)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePresets:\u003c\/strong\u003e 250 included\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannels:\u003c\/strong\u003e Mono \u0026amp; Stereo\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp style=\"font-size: 1.05em; line-height: 1.6; margin-top: 1em;\"\u003e\u003cstrong\u003eDive in with Kraken Underwater Effects\u003c\/strong\u003e — muffled, lush and alive, in one simple package. 🐙\u003c\/p\u003e\n\u003c\/div\u003e","brand":"VOX SAMPLES","offers":[{"title":"Full Version","offer_id":52454705955099,"sku":null,"price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0848\/3530\/3707\/files\/KrakenProductImage_225ac9eb-5204-411e-a490-f2967c305415.webp?v=1783779331"},{"product_id":"crazy-s-filters-morphing-eq-plugin","title":"Crazy-S Filters Morphing EQ Plugin","description":"\u003cp\u003e\u003cstrong\u003eThe EQ that moves.\u003c\/strong\u003e Draw a path for every band — then let your whole curve travel.\u003c\/p\u003e\n\n\u003cp\u003eCrazy S is not an A\/B morph EQ. Every one of its \u003cstrong\u003e20 filters travels its own hand-drawn path\u003c\/strong\u003e across the spectrum, and a single global Morph position moves them all at once — locked to your DAW, free-running, or right under your fingers. Sweeps, wobbles, vowels, risers and filter rides that would take a dozen automation lanes happen in one move.\u003c\/p\u003e\n\n\u003ch2\u003eWhy you’ll love Crazy S\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e✏️ \u003cstrong\u003eDraw the movement\u003c\/strong\u003e — freehand a path for any band, up to 96 points each. The filter follows exactly what you drew.\u003c\/li\u003e\n  \u003cli\u003e🎚️ \u003cstrong\u003e20 bands, 7 filter types\u003c\/strong\u003e — bells, shelves, low\/high pass, band pass and notch, all morphing together.\u003c\/li\u003e\n  \u003cli\u003e🔊 \u003cstrong\u003eAnalog or digital, per band\u003c\/strong\u003e — flip any filter between an analog-voiced state-variable core and a clean digital curve.\u003c\/li\u003e\n  \u003cli\u003e⏱️ \u003cstrong\u003eSync it or free it\u003c\/strong\u003e — 32 Bars down to 1\/32T (dotted \u0026amp; triplet included), or free-run 0.01–40 Hz.\u003c\/li\u003e\n  \u003cli\u003e↔️ \u003cstrong\u003eForward, Ping-Pong or Backward\u003c\/strong\u003e — with Linear, Accelerate or Decelerate easing.\u003c\/li\u003e\n  \u003cli\u003e⚡ \u003cstrong\u003eZero latency\u003c\/strong\u003e — no lookahead, no delay compensation, no excuses.\u003c\/li\u003e\n  \u003cli\u003e🎛️ \u003cstrong\u003e250 factory presets\u003c\/strong\u003e for instant inspiration.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eOne morph, twenty filters\u003c\/h2\u003e\n\u003cp\u003ePlace a band, then drag from it to draw where it should go. That path becomes its journey: frequency, gain and Q all travel along it. Do it again for another band, and another. Now one Morph position sweeps your entire EQ through a shape you designed — not a crossfade between two static curves, but real, independent movement per band.\u003c\/p\u003e\n\n\u003ch3\u003e✏️ The graph — draw, drag, shape\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDouble-click\u003c\/strong\u003e empty space to add a filter.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDrag a handle\u003c\/strong\u003e to set frequency and gain.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDrag from a handle’s outer ring\u003c\/strong\u003e to freehand-draw its morph path.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMouse-wheel\u003c\/strong\u003e a handle for Q.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRight-click\u003c\/strong\u003e for type, enable and delete.\u003c\/li\u003e\n  \u003cli\u003eLive spectrum analyzer, per-band gradient fills, and a glowing dot showing exactly where every filter sits right now.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003e🎚️ MOTION — how it moves\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSource\u003c\/strong\u003e — \u003cem\u003eManual\u003c\/em\u003e (you drive it), \u003cem\u003eAuto (Sync)\u003c\/em\u003e (locked to host tempo) or \u003cem\u003eAuto (Free)\u003c\/em\u003e (its own clock).\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDirection\u003c\/strong\u003e — Forward, Ping-Pong or Backward.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eEasing\u003c\/strong\u003e — Linear, Accelerate or Decelerate, so the motion breathes instead of ticking.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMorph\u003c\/strong\u003e — the master position (0–100%), automatable and MIDI-mappable. Ride it by hand or let it run.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003e⏱️ TIMING — how fast, and where\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRate (Bars\/Beats)\u003c\/strong\u003e — 32, 16, 8, 4, 2 and 1 Bar, plus 1\/2 through 1\/32 with dotted and triplet variants.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFree Rate\u003c\/strong\u003e — 0.01 Hz for slow evolving movement up to 40 Hz for audio-rate mangling.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePosition\u003c\/strong\u003e — a live meter showing the morph travelling through your paths.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBypass\u003c\/strong\u003e — freezes all movement instantly, holding the curve exactly where it is. Perfect for finding the sweet spot, then parking there.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003e🎯 Per-band controls\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eType\u003c\/strong\u003e — Bell, Low Shelf, High Shelf, Low Pass, High Pass, Band Pass or Notch. Set it to \u003cem\u003eNone\u003c\/em\u003e to disengage the band.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAnalog \/ Digital\u003c\/strong\u003e — an analog-style zero-delay state-variable filter that stays smooth and click-free under fast morphing, or a clean digital response.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQ\u003c\/strong\u003e — 0.10 to 18.0, from wide and musical to surgical.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eGain\u003c\/strong\u003e — ±24 dB.\u003c\/li\u003e\n  \u003cli\u003eQ and Gain read out \u003cstrong\u003elive\u003c\/strong\u003e as the morph moves, and editing them reshapes the whole path instead of flattening it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003e🎛️ Global controls\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInput \/ Output\u003c\/strong\u003e — trim in and out, ±24 dB.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMix\u003c\/strong\u003e — 0–100% for parallel EQ movement under the dry signal.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003e🎛️ 250 factory presets\u003c\/h2\u003e\n\u003cp\u003eStart fast with 250 hand-built presets across twelve categories — vocals, drums, bass, instruments, master bus, tone shaping, filtering, tonal and rhythmic morphs, vowels, risers and abstract sound design. Every one is a real drawn curve, not a parameter dump. Browse with next\/previous, save your own, and recall everything exactly as you left it — paths included.\u003c\/p\u003e\n\n\u003ch2\u003eBuilt for your studio\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eZero latency\u003c\/strong\u003e — nothing to compensate, nothing to nudge.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eClick-free morphing\u003c\/strong\u003e — smoothed motion that stays clean even at fast sync rates.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull MIDI Learn\u003c\/strong\u003e — map any control to your hardware in seconds.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eType-in values\u003c\/strong\u003e — double-click any field for an exact number.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFully resizable\u003c\/strong\u003e, high-resolution interface with a real-time display.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFormats:\u003c\/strong\u003e VST3, AU, AAX \u0026amp; Standalone\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSystems:\u003c\/strong\u003e Windows \u0026amp; macOS (64-bit)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBands:\u003c\/strong\u003e Up to 20, with up to 96 path points each\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePresets:\u003c\/strong\u003e 250 included\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eChannels:\u003c\/strong\u003e Mono \u0026amp; Stereo\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eLatency:\u003c\/strong\u003e Zero\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eStop automating filter sweeps. \u003cstrong\u003eDraw them once, and let Crazy S ride the curve.\u003c\/strong\u003e 🌀\u003c\/p\u003e","brand":"VOX SAMPLES","offers":[{"title":"Full Version","offer_id":52605336420635,"sku":null,"price":39.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0848\/3530\/3707\/files\/CrazySFiltersMorphingEQProductImage_1.webp?v=1784286741"},{"product_id":"f-that-fourier-sample-transformer-plugin","title":"F-That Fourier Sample Transformer Plugin","description":"\u003ch2\u003eTurn Any Sample Into a Sound Nobody Else Has\u003c\/h2\u003e\n\n\u003cp\u003eDrop in any sample — a bass note, a vocal, a loop, a field recording — and F-That Fourier breaks it into the individual waves it's built from. Keep the ones you want, bin the rest. A cello becomes a clean sub. A choir becomes a glass pad. Click a single wave and a plucked guitar becomes an endless tone that never decays.\u003c\/p\u003e\n\n\u003ch3\u003eFour Steps\u003c\/h3\u003e\n\u003col\u003e\n  \u003cli\u003eDrop in a sample, or record straight off your track\u003c\/li\u003e\n  \u003cli\u003ePick one of 250 presets, or start from your own sound\u003c\/li\u003e\n  \u003cli\u003eDrag the handles, or click a wave in the list\u003c\/li\u003e\n  \u003cli\u003eLoop it, layer it, export it as a WAV\u003c\/li\u003e\n\u003c\/ol\u003e\n\n\u003ch3\u003eWhat You Can't Do With an EQ\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003ePlay one wave on its own.\u003c\/strong\u003e Click any row in the list and everything else disappears — what's left is a single pure tone that rings for the whole length of the sample, with no attack and no decay. Drones, pads and sustained textures out of one-shot hits. Keep a few waves instead of one and they drift against each other into a slow swell.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eWork below a hertz.\u003c\/strong\u003e The narrowest notch on a mastering EQ is several hertz wide. These waves sit a fraction of a hertz apart — tens of thousands of them in a one-second sample. You're picking out single partials of a chord, not frequency regions.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eCut with nothing left behind.\u003c\/strong\u003e Wide selections behave like a flawless linear-phase filter: no resonance, no phase smear, nothing lurking under the part you kept. A sub pulled from a cello sounds like a synth sub, not a muffled cello.\u003c\/p\u003e\n\n\u003ch3\u003eBuilt to Stay Out of Your Way\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003eAlways at a usable level.\u003c\/strong\u003e Throwing away 99% of a sound normally leaves you with almost nothing. F-That Fourier makes the level back up automatically, so a single wave arrives as loud as the full sample. Move the range anywhere and keep working — no gain riding, no reaching for a trim plugin.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eTwo handles and a list.\u003c\/strong\u003e Drag and hear it change in real time. Type exact numbers when you want the same spot every time. No routing, no matrix, no manual.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e250 presets that come with their own audio.\u003c\/strong\u003e Twenty-five recordings — strings, brass, woodwind, choir, bells, glass, organs, leads, subs — each in ten treatments from Sub to Air to Pure Tone. One click and you're making sound.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eFeed it anything.\u003c\/strong\u003e WAV, AIFF, FLAC, Ogg and MP3, or hit RECORD and grab 30 seconds off whatever's playing.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003ePlayer or insert.\u003c\/strong\u003e Blend it against your dry signal to layer a ghost under a live track, or run it on its own as a sound-design bench.\u003c\/p\u003e\n\n\u003cp\u003eTrap, ambient, film, techno, pop — if you need a sound that isn't in anyone's pack, it's already sitting in a file on your drive.\u003c\/p\u003e\n\n\u003cp\u003eGet F-That Fourier Sample Transformer today and stop searching for sounds. 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